Someone should get his brother in on it cuz I feel like he would be down to end him for some reason. I want him to see every consequence for every action he's ever done and for everyone to see what he is. It doesn't make her lose whatever power she thinks she's gained. By all accounts she doesn't need to return anyone's affections but she clearly likes Ethan and it's OK to say that and make that known. I feel for Cassie and really hope she gets fed up and tells all these boys what's up. ago So its definitely sexual harassment streetdisciple23 3 yr. ago I don’t think they fully raped him but it was something close to it that it was traumatic CockroachJM 3 yr. However, he needs to realize how he treats Cassie and how his insecurities/fears manifest and project themselves onto her. Roy McKay es un personaje recurrente en Euphoria. Algee Smith said in interview after the episode first aired that McKay wasn’t raped but it was sexual assault. Putting all this pressure on a kid and not allowing them to explore other interests can be a lot and McKay is really showing that. He doesn't even like football seeing as it's just an ends to a means to him. it's clear he doesn't know he is outside of football and isn't in a place where anyone is trying to help him find out. Visit the Substance Abuse and Mental Health Services Administration website or contact SAMHSA's National Helpline at 1-800-662-HELP (4357).Well, I do think McKay is a complex character that could use more attention. If you or anyone you know is struggling with addiction issues, help is available. Surprisingly Practical Teen Of The Week: When Travis offers her a hit moments after meeting her, Maddy says she doesn't smoke random people's weed. The steadily building yet sonically drifting take on the Elvis tune plays almost in full during the episode's opening sequence, its first beats coming in when Fezco's grandma steps out of the car, and its last fading out as she strokes his bruised face and drives off. But it's Billy Swan's cover of "Don't Be Cruel" that takes the cake. There's also "Dead of Night," a dreamy, slow-moving song by Orville Peck that gives Nate and Cassie's hypnotic car ride an almost Lynchian feeling. The expertly placed use of Nate's theme ("Nate Growing Up" by Labrinth) is a standout, as is Steely Dan's "Dirty Work," which underscores how surreal the meetup at Laurie's house has gotten as the group gets dressed after the wire check. Rue heads to the party like nothing has happened, but we're definitely worried about her, even if she isn't.īest Musical Moment: This episode features a whole jukebox worth of needle drops. Fez - no stranger to trauma himself, as we've just seen - yells at her for not taking the whole thing seriously. In the car afterwards, still-high Rue chatters on about the incident, smiling. The monotone, pet-obsessed woman asks questions about Rue, before giving Fezco a suitcase of pills. In the end, Fezco's introduction to Laurie goes well enough. This show is full of traumatic moments, but the new episode ups the ante for future therapy fuel considerably. He drags her into the bathroom, where he turns the shower on her and makes her undress anyway. The worst part comes when Rue hesitates to strip. He demands everyone get naked to prove they're not wearing a wire, then alternates between dancing around the kitchen and smashing peoples' heads into walls. The culprit is a guy named Bruce (Melvin "Bonez" Estes), who brings them into Laurie's house.
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